Andrew Robinson
Andrew Robinson is a political theorist and activist based in the UK. His book Power, Resistance and Conflict in the Contemporary World: Social Movements, Networks and Hierarchies (co-authored with Athina Karatzogianni) was published in Sep 2009 by Routledge. His 'In Theory' column appears every other Friday.
Columns, In Theory, New in Ceasefire - Wednesday, December 12, 2018 20:20 - 0 Comments
An A to Z of Theory | Hakim Bey: The Temporary Autonomous Zone
In the latest in his essay series on Hakim Bey's work, Andrew Robinson examines Bey's best known concept: the Temporary Autonomous Zone, TAZ.
Columns, Ideas, In Theory, New in Ceasefire - Wednesday, April 18, 2018 16:12 - 0 Comments
An A to Z of Theory | Hakim Bey: Capitalism, the State, and the Spectacle
In the latest essay of his series on Hakim Bey, Andrew Robinson examines Bey's theory of capitalism, his critique of 'cop culture' and his comments on American global hegemony; and provides an analysis of Bey's view of the dominant system.
Columns, In Theory, New in Ceasefire - Saturday, February 3, 2018 12:40 - 1 Comment
An A to Z of Theory | Hakim Bey: Alienation and The State
In the fourth essay of his series on Hakim Bey, Andrew Robinson explores Bey's view of the dominant system as a 'Spectacle', the theory of alienation, and the history and contemporary forms of the state.
Columns, In Theory, New in Ceasefire - Thursday, December 7, 2017 15:05 - 0 Comments
An A to Z of Theory | Hakim Bey: Chaos, altered consciousness, and peak experiences
In the third essay of his series on Hakim Bey, Andrew Robinson explores the role of peak experience and altered consciousness in ontological anarchism. He examines how immediacy can provide a basis for resistance to alienation, explores Bey's ethical theories, and looks at whether social life is still possible if outer order is rejected.
Columns, In Theory, New in Ceasefire - Friday, November 24, 2017 16:56 - 0 Comments
An A to Z of Theory | “Chaos never died”: Hakim Bey’s Ontology
In the second essay of his series on Hakim Bey, Andrew Robinson reconstructs the ontology of Bey's “ontological anarchism”. He examines what it means to take chaos as ontologically primary, and how a sense of meaning or order can emerge from chaos.
Columns, In Theory, New in Ceasefire - Saturday, October 28, 2017 11:19 - 0 Comments
An A to Z of Theory | Hakim Bey: An Introduction
Best-known for his concept of the Temporary Autonomous Zone, Hakim Bey is one of the best-known anarchist theorists of the contemporary period. In this first part of a new series, Andrew Robinson gives a background to Bey's work, and explores whether he can be considered a post-anarchist.
In Theory, New in Ceasefire - Monday, August 21, 2017 17:27 - 0 Comments
An A to Z of Theory | Augusto Boal: The Rainbow of Desire
In the last of his seven-part series on the radical dramatist Augusto Boal, Andrew Robinson looks at the Rainbow of Desire, a set of techniques designed to deal with internalised oppression. Robinson surveys Boal's continuing influence, and the thorny question of whether theatrical challenges to oppression are always emancipatory.
In Theory, New in Ceasefire - Tuesday, April 11, 2017 17:01 - 0 Comments
An A to Z of Theory | Augusto Boal: Legislative Theatre and Politics
In his penultimate column on the radical playwright and director Augusto Boal, Andrew Robinson examines Legislative Theatre – a method pioneered during Boal's tenure as a member of the Rio local parliament. Robinson also examines and critiques the radical democratic perspective underpinning this phase of Boal's work.
In Theory, New in Ceasefire - Thursday, January 19, 2017 22:36 - 0 Comments
An A to Z of Theory | Augusto Boal: Games and Techniques
In the latest essay in his series on Augusto Boal, Andrew Robinson examines the wide range of different techniques formulated or summarised by the Brazilian playwright for revolutionising drama and life.
In Theory, New in Ceasefire - Tuesday, August 30, 2016 11:57 - 0 Comments
An A to Z of Theory | Augusto Boal: Brecht and Beyond – The Boal Method
In the fourth essay of his series on Augusto Boal, Andrew Robinson examines the process through which Theatre of the Oppressed came into being and explores the key features of Boal's technical approach.
More Ideas
More In Politics
- Comment | It’s high time Britain left Gavin Williamson’s imperial delusions behind
- Comment | Britain’s homelessness crisis shames us all
- Comment | After Khashoggi: This toxic UK-Saudi relationship cannot continue
- Comment | The Abdi Ali tragedy shows Britain is still failing its black men and boys
- Comment | The Bahraini authorities are slowly killing my father. Why is Theresa May helping them?
More In Features
- Special Report | Solidarity is stronger than hatred: Brussels’s La Plateforme migrant support network
- Special Report | The DR Congo: A burial, a massacre and a stolen election
- Special Report | The world’s shameful, ongoing failure to hold Burma to account
- Interview | Elsa Lefort: “The fate of my husband, Salah Hamouri, does not matter to our leaders”
- Photo Essay | Tindouf: A bright spark in Saharawi-Algerian solidarity
More In Profiles
More In Arts & Culture
- Film | An urgent, necessary homage: “Fanon: Yesterday, Today” by Hassane Mezine
- Theatre | Review | The Shroud Maker: Lives and death in Palestine
- Theatre | Review | Translations (National Theatre)
- Books | Nincompoopolis: The Follies of Boris Johnson
- Comment | The tone-deafness of privilege: Justin Timberlake at the Super Bowl