Editor's Desk, New in Ceasefire - May 9, 2018 13:07 - Comment

    Media | Tom Mills: “There is no doubt the BBC has been biased towards Corbyn”

    Tom Mills, lecturer in Sociology and Policy at Aston University and author of ‘The BBC: Myth of a Public Service’, on the BBC’s impartiality in its coverage of Jeremy Corbyn.

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    Ideas, New in Ceasefire - May 2, 2018 14:04 - Comment

    Analysis | “How could they all be so wrong?”: Reflections on the 2017 General Election

    Although Labour did not win the June 2017 general election, its result was astonishing. How and why did this happen? Alex Nunns, author of “The Candidate: Jeremy Corbyn’s Improbable Path to Power,” reflects on one of the most remarkable moments in UK political history.

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    New in Ceasefire, Politics - Apr 19, 2018 9:28 - Comment

    Comment | Fighting Antisemitism: We cannot cherry-pick which racism to fight

    As someone who has spent his working life fighting for Palestinian rights, the current crisis over antisemitism fills me with both anger and sadness, writes Chris Doyle.

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    New in Ceasefire, Photo Essays - May 9, 2018 12:00 - Comment

    Photo Essay | Tindouf: A bright spark in Saharawi-Algerian solidarity

    Visiting the city of Tindouf and nearby refugee camps in south-west Algeria, Saharawi writer Agaila Abba reflects on the remarkable social and economic transformation of the city.

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    Columns, Ideas, New in Ceasefire - Apr 18, 2018 16:12 - Comment

    An A to Z of Theory | Hakim Bey: Capitalism, the State, and the Spectacle

    In the latest essay of his series on Hakim Bey, Andrew Robinson examines Bey’s theory of capitalism, his critique of ‘cop culture’ and his comments on American global hegemony; and provides an analysis of Bey’s view of the dominant system.

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    Arts & Culture, Music & Dance, New in Ceasefire - Feb 5, 2018 20:34 - Comment

    Comment | The tone-deafness of privilege: Justin Timberlake at the Super Bowl

    Justin Timberlake’s Super Bowl performance last night was a bitter reminder of the American cultural establishment’s shameful mistreatment of an iconic black female artist, and his complicity in it, writes Ali M. Latifi.

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